
Notional Theatre have tackled a play that can be described as 100% anti war, and they deliver it with grace, respect and great, great pain. […] I cried, I felt, and hell I almost grieved with Mrs Spence as she told her story of loss.
National Theatre Wales website
FRAGMENTS OF ASH

Spine-tingling and intense, this striking piece of new writing and moving production will have audiences gripping their seats from the first second.
Three Weeks
The central storyline is accompanied by tautly choreographed dance played out by actors constantly switching roles. Writer/director Terry Victor harnesses this ebb and flow of physical movement in order to orchestrate the play’s pace and emotional tone while fully utilising the stage. This fluid directorial approach lends it a uniquely composite feel, subtly indicative of its central theme: the universality of human grief. […] Powerfully acted and brilliantly realised, it packs the emotional and intellectual weight of a much longer play into one emotionally exhausting hour of theatre.
Fest Mag
The question what makes ordinary women become suicide bombers is posed and answered by this moving play.
Morning Star
Using a complex mix of genres and time frames, writer and director Terry Victor succeeds in bringing a horrifyingly lucid message to the stage. It is a great ensemble performance that slips easily between those genres but succeeds in keeping the whole narrative clear.
The Stage
A supremely intelligent and very important piece of theatre.
Informed Edinburgh
It’s powerful stuff.
Brecon & Radnor Express